Picture of the Month

 

Joe Cocks Studio Collection  © Shakespeare Birthplace Trust

The Royal Shakespeare Company has opened its Winter 2012 season with a new production of The Merry Wives of Windsor. Directed by Philip Breen, it is set in the present, in a year in which Queen Elizabeth II celebrated her Diamond Jubilee. Much has been written about the production’s over complicated set, which resulted in the play opening 3 nights later than originally planned. In 1985, the RSC staged a wonderfully funny Merry Wives, directed by Bill Alexander. Set in 1959, a period often referred to as the “New Elizabethan Age”, the designer, William Dudley used the revolve stage to great effect, delivering striking period interiors such as the 1950’s suburban semi complete with bay window, a radiogram and a cocktail cabinet. An open top Morris Minor also featured, transporting Slender and Shallow and chauffeured by Peter Simple. A strong cast included Nicky Henson as the “horn-mad” Ford and Peter Jeffrey as his adversary, the “clubbable” Falstaff, in plus-fours, yellow waistcoat and golf shoes (Michael Coveney; the Financial Times 6/4/1985).

The merry wives; Meg Page (Janet Dale) and Alice Ford (Lindsay Duncan) ,were played as brassy, cigarette-smoking, gin-slugging jokesters” (John Barber, The daily Telegraph 6/4/1085). One of the funniest scenes is featured above, and shows the two women hatching their plot to outwit Falstaff after exchanging letters under the hair-driers, before teetering off on their stiletto heels. Bill Alexander, the director, wanted his merry wives to be “spiky and rather tasteless, quite cruel in their judgement.” (Ralph Berry; On Directing Shakespeare). Joe Cock’s photograph conveys these characteristics convincingly and it became the show’s iconic image.

 

  • Rory Keegan

    I saw the fabulous 1985 production three times. The sets moved around seamlessly thanks to an igenious arrangement of revolves, much to the hilarious befuddlement of Sheila Steafel’s permanently tipsy Mistress Quickly. One wonders if such stagecraft would be possible on the RSC’s new stage…

  • Helen Hargest

    Hello Rory,tThanks for your reply and reminiscences! I also saw the 1985 production and it was a wonderful evening in the theatre. The debate on the new stage continues…….

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